In other words, use a Major scale with a flat third. Using the above rules, we can create a number of different minor scales. Use the ascending version of the Melodic Minor, regardless of ascending or descending. 7th вЂ“ You can only flatten the 7th, because a #7 = Root.4th вЂ“ You can only sharpen the 4th, because aВ в™4 = Maj3 (which we want to avoid because this is a minor scale).в™3rd вЂ“ TheВ в™3 establishes the quality of the scale (minor vs Major), therefore you cannot change it.

2nd вЂ“ You can only flatten the 2nd, because a #2 =В в™3 (which is already in the scale).The natural minor in turn is the Aeolian mode of the major scale 3. Audio 2 The melodic minor scale was (like the harmonic minor scale) originally derived from the natural minor scale, by raising its 6th and 7th note. Root вЂ“ The root establishes the tonality of the scale (C minor vs D minor), therefore you cannot change it. For example the C melodic minor scale is related to the Eb major scale, and shares that scale's key signature (3 flats).So there are 7 scale degrees you can potentially modify вЂ“ these are each listed below: So it's basically the minor scale up to fifth, but then it has a major sixth and a major seventh. In jazz we ignore this approach and play the scale the same ascending and descending. Okay, let's take a look at the melodic minor scale.

Jazz musicians will often use this scale. When stacked in thirds the melodic minor scale forms a minor/major 7thГ‚ chord, which is commonly used as the tonic minor chord in a iim7b5-V7alt-imMaj7 progression. In classical music, the melodic minor scale has a raised 6th and 7th ascending and then a flat 6th and 7th descending. The first mode of the Melodic Minor scale is very similar to the major scale, though it contains one crucial adjustment, the flatted third. Melodic minor also has more internal dissonance than the major scale and its modes. ThereвЂ™s a constant conflict between the bottom half of the scale and the top. Minor ScalesДЄ minor scale is any scale derived from the Major scale but with aв™3. This makes the melodic minor scale particularly suited to melodic development. The weirdness of melodic minor comes from the way it lives simultaneously in the minor and major key worlds. A Scale is just some subset of the 12 notes in an octave.В A Diatonic Scale is one particular scale which has a subset of 7 of the 12 notes, with the result being the Major Scale.

Jazz melodic minor scales